El diseño como experiencia configuradora en tres exposiciones de arqueología precolombina en Costa Rica

The present work is based on the research made from the museological policies applied to the archeological exhibitions in three museums of Costa Rica, more specifically, it proposes an interpretative lecture about the conception and configurative strategies that were considered, for the sense making...

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Detalles Bibliográficos
Autor principal: Salas Mauro, Marcela
Otros Autores: Rey Márquez, Juan Ricardo
Formato: info:eu-repo/semantics/masterThesis
Lenguaje:español
Publicado: Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo 2020
Materias:
Acceso en línea:http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqmas&cl=CL1&d=HWA_7536
https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqmas/index/assoc/HWA_7536.dir/7536.PDF
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Descripción
Sumario:The present work is based on the research made from the museological policies applied to the archeological exhibitions in three museums of Costa Rica, more specifically, it proposes an interpretative lecture about the conception and configurative strategies that were considered, for the sense making, and its incorporation in the museographic scripts, to analyze them in a comparative way from the derived notions of the rhetoric of design in a diachronic and synchronic way.\nIn this sense, the design, as an interdisciplinary field, has contributed an essential work to the exhibitions, through the elaboration of systems and environments that articulate the artifacts organized in the museographic scripts, which allows to interact with the objects in a particular way and promotes the integration of disciplinary discourses through the use of metaphor in narratives. Hence, it is pertinent to scrutinize the work that has been done for the sense and meaning making, as well as the contributions and benefits present so far.