Arquitecturas de la ciudad cinematógrafo : Buenos Aires, 1894-1920

This thesis studies those places that, in the city of Buenos Aires, exhibited films between 1894 and 1920. In the first place, the spaces of and for the cinema are identified, that is, those sites where films were shown are recognized, regardless of how permanent or provisional their materiality was...

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Detalles Bibliográficos
Autor principal: Versace, Ileana
Otros Autores: Molinos, Rita L.
Formato: info:eu-repo/semantics/doctoralThesis
Lenguaje:español
Publicado: Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo 2021
Materias:
Acceso en línea:http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_5079
https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_5079.dir/5079.PDF
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author Versace, Ileana
author2 Molinos, Rita L.
author_facet Molinos, Rita L.
Versace, Ileana
author_sort Versace, Ileana
collection Repositorio SISBI
description This thesis studies those places that, in the city of Buenos Aires, exhibited films between 1894 and 1920. In the first place, the spaces of and for the cinema are identified, that is, those sites where films were shown are recognized, regardless of how permanent or provisional their materiality was. Secondly, the cinema phenomenon is thought as a novelty and, therefore, as a social construction depending on structuring and institutional control processes. It is assumed that movie theatres are an urban phenomenon, that they are both a product and city producers. In this sense, the thesis proposes a shift from historiographic canons, and exposes these sites as other spaces, as juxtapositions of physical and symbolic sites. In addition, the research relates architecture and cinema, although not in the most common way, in which we observe how architecture is seen by cinema, but from an inverse perspective, in which what is looked at is how cinema projects architecture. \nThe interaction between the cinema phenomenon and the architecture of movie theatres dates from 1894, with the arrival of Edison's kinetoscopes in the city. Since then, the illuminated views found place in open or closed spaces, used as movie theatres or built for this function, while cultural, economic, social, spatial, technical and artistic factors that gave rise to the phenomenon of cinema were consolidated. In the threshold of the 1920s, cinema reached its highest level of social institutionalization and movie theatres its greatest degree of architectural determination. In this way, the places intended for film exhibition are considered privileged objects for the study of architectures in formation.
format info:eu-repo/semantics/doctoralThesis
id I87-R4-HWA_5079
institution UBA - Facultad de Arquitectura, Diseño y Urbanismo
institution_str I-87
language spa
publishDate 2021
publisher Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo
record_format dspace
repository_str R-4
spellingShingle Arquitectura
Cinematógrafo
Cine
Buenos Aires
Espectáculo
Architecture
Movie theatre
Cinema
Espectacle
Historia
Historiografías
Arquitectos
Teoría
Ciudades
Urbanismo
Desarrollo
Evolución
Heterotopías
Equipamiento
Salas de espectáculos
Art Deco
Art Nouveau
Arquitectura racionalista
Arte
Tecnica
Produccion
Distribucion
Comercializacion
Cines
Arquitectura
Versace, Ileana
Arquitecturas de la ciudad cinematógrafo : Buenos Aires, 1894-1920
title Arquitecturas de la ciudad cinematógrafo : Buenos Aires, 1894-1920
title_full Arquitecturas de la ciudad cinematógrafo : Buenos Aires, 1894-1920
title_fullStr Arquitecturas de la ciudad cinematógrafo : Buenos Aires, 1894-1920
title_full_unstemmed Arquitecturas de la ciudad cinematógrafo : Buenos Aires, 1894-1920
title_short Arquitecturas de la ciudad cinematógrafo : Buenos Aires, 1894-1920
title_sort arquitecturas de la ciudad cinematografo buenos aires 1894 1920
topic Arquitectura
Cinematógrafo
Cine
Buenos Aires
Espectáculo
Architecture
Movie theatre
Cinema
Espectacle
Historia
Historiografías
Arquitectos
Teoría
Ciudades
Urbanismo
Desarrollo
Evolución
Heterotopías
Equipamiento
Salas de espectáculos
Art Deco
Art Nouveau
Arquitectura racionalista
Arte
Tecnica
Produccion
Distribucion
Comercializacion
Cines
Arquitectura
url http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_5079
https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_5079.dir/5079.PDF
work_keys_str_mv AT versaceileana arquitecturasdelaciudadcinematografobuenosaires18941920
AT versaceileana architecturesofthecinemacitybuenosaires18941920