Cartografía del Diseño Audiovisual : mapas para atravesar un territorio de intersecciones

The aim of this thesis is to reconstruct the cartographic and reciprocal space that Audiovisual Design occupies in the determination of the collective imaginary in order to think about approaches with which to contribute to the debate about its epistemic identity. It is in this sense that a definiti...

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Autor principal: Voto, Cristina
Otros Autores: Russo, Eduardo A.
Formato: info:eu-repo/semantics/doctoralThesis
Lenguaje:español
Publicado: Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo 2017
Materias:
Acceso en línea:http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_3837
https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_3837.dir/3837.PDF
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author Voto, Cristina
author2 Russo, Eduardo A.
author_facet Russo, Eduardo A.
Voto, Cristina
author_sort Voto, Cristina
collection Repositorio SISBI
description The aim of this thesis is to reconstruct the cartographic and reciprocal space that Audiovisual Design occupies in the determination of the collective imaginary in order to think about approaches with which to contribute to the debate about its epistemic identity. It is in this sense that a definition of Audiovisual Design is organized in an essayistic way as a space for intersubjective thought --gnoseological, practical and epistemological-- since it is in this space where those who produce, use and circulate audiovisual forms and projects are related. This space is argumentatively constructed from the concept of territory, imagining it as a place where communicational knowledge, audiovisual practices and reproducibility policies intersect with the operative categories of format, device and montage. By means of this proposal, certain reciprocities are realized that can affect subjective bodies and audiovisual bodies from both the cognitive and the somatic as well as the pragmatic point of view. The hypothesis that guides the thesis is to think that the products of the Audiovisual Design can in-form and give-form to our way of perceiving, feeling and understanding the world and the events that inhabit it. In this sense, it is argued that in the territory of Audiovisual Design products are no longer just narrative forms but also places from which it is possible to take a perceptive distance for learning and reproduceing, assembling and manipulating the flow of images that frames the edges of our everyday experiences. It is thus affirmed that the experience of the subjective body, together with the reciprocity that it maintains with the audiovisual body, can activate the force that underlies the representation by making the tropes emerge from the images. In this sense, the literal experience when intersects the figurative makes possible to operate the necessary de-formations and de-configurations to attack the sensational by introducing, in addition, discontinuities with which it becomes possible to value the testimonial dimension of the Audiovisual Design. By focusing attention on the testimonial question, the thesis also conjectures that the moving nature with which the Audiovisual Design speaks to us can be organized into a differential architecture by which images not only move but also concern and produce movement by exciting and citing. Therefore, and thinking about the reciprocity relation between subjective body and audiovisual body, the products of Audiovisual Design can per-vert the ways of presenting environments by establishing a dialectic relation between the instant they return to us and the instance with which they touch us collectively. Finally, these per-versions bear the testimonies of those traces with which formats, devices and assemblies, as operational categories with which to imagine the Audiovisual Design, affect the bodies and the territory.
format info:eu-repo/semantics/doctoralThesis
id I87-R4-HWA_3837
institution UBA - Facultad de Arquitectura, Diseño y Urbanismo
institution_str I-87
language spa
publishDate 2017
publisher Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo
record_format dspace
repository_str R-4
spellingShingle Semiótica
Imagen en movimiento
Cartografía
Diseño audiovisual
Intersubjetividad
Semiotics
Moving image
Cartography
Audiovisual design
Intersubjectivity
Imagen
Sonido
Audiovisuales
Medios audiovisuales
Teoría
Diseño
Montaje
Técnica
Enseñanza
Comunicación audiovisual
Lenguaje
Estética
Epistemología
Conocimiento
Nuevas tecnologías
Equipos
Producción
Edición
Medios audiovisuales
Voto, Cristina
Cartografía del Diseño Audiovisual : mapas para atravesar un territorio de intersecciones
title Cartografía del Diseño Audiovisual : mapas para atravesar un territorio de intersecciones
title_full Cartografía del Diseño Audiovisual : mapas para atravesar un territorio de intersecciones
title_fullStr Cartografía del Diseño Audiovisual : mapas para atravesar un territorio de intersecciones
title_full_unstemmed Cartografía del Diseño Audiovisual : mapas para atravesar un territorio de intersecciones
title_short Cartografía del Diseño Audiovisual : mapas para atravesar un territorio de intersecciones
title_sort cartografia del diseno audiovisual mapas para atravesar un territorio de intersecciones
topic Semiótica
Imagen en movimiento
Cartografía
Diseño audiovisual
Intersubjetividad
Semiotics
Moving image
Cartography
Audiovisual design
Intersubjectivity
Imagen
Sonido
Audiovisuales
Medios audiovisuales
Teoría
Diseño
Montaje
Técnica
Enseñanza
Comunicación audiovisual
Lenguaje
Estética
Epistemología
Conocimiento
Nuevas tecnologías
Equipos
Producción
Edición
Medios audiovisuales
url http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_3837
https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_3837.dir/3837.PDF
work_keys_str_mv AT votocristina cartografiadeldisenoaudiovisualmapasparaatravesarunterritoriodeintersecciones
AT votocristina cartographyoftheaudiovisualdesignmapstocrossaterritoryofintersections