Talking technically : shooting 16 mm for 35 mm /

The new Aaton 8-35 35 mm camera

Arriflex at Photokina'80

The latest from steenbeck

The EMP (Envelope: Minimum Possible) 16 MM camera

The new feathercam cm35 camera

The new Leonetti-Wilcam Ultracam-35 camera

The "new generation" GSMO 16 mm camera /
por: Di Giulio, Edmund

The videola V-1000 Film-to-tape transfer system

Filming a Wedding Royalty /
por: Samuelson, David

The new moviecam

ABC's wide world of sports uses new Kodak 7247 16 mm color negative for the first time /
por: Lightman, Herb A.

The new Arriflex 16 HSR high-speed camera

The new Technoflex camera

The new CP-16R/A and CP-16R/A reflex TV newsfilm documentary camera system, plus unique PLC-4 magazine make joint debut

The new coke Super-16 Varo Kinetal zoom lens

SMPTE equipment exhibit Arriflex 16SR camera since Photokina 1972

GSMO camera soon to be available

16 mm film production in United Kingdom independent Television

The new magnasync/moviola 16 mm portable console editor

Angenieux introduces new lenses

Why shot in Super-16 /
por: Ericson, Rune

Filming under a rain of fire for "Days of destruction" /
por: Long, Asgeir

Perfectone continuous motion High-speed projector "Comitor 16 HS"

The technique of editing 16 mm. films
por: Burder, John
Publicado: (1971)

EGO, EF and Color negative what's the difference /
por: Hampe, Barry

Two years experience with color negative film transmission

The filming of "Deep south, deep north" /
por: Hudson, David

Filming the atomic graveyard /
por: Frehsee, Rick

P.A.G. modulor sound dubbing system

Underwather photography for "Deadly fathoms" /
por: Mounier, Bruce

Filming wild life around the world /
por: Bayer, Wolfgang

Talking technically : Helicopter shooting /
por: Samuelson, David

Arte y técnica del cine amateur
por: Boyer, Pierre
Publicado: (1952)

The under fire filming of "No go!" in Northern Ireland

How "No go!" was filmed /
por: Chase, Richard

Neilson Hordell Junior animation stand