Talking technically : shooting 16 mm for 35 mm /

The new Aaton 8-35 35 mm camera

Arriflex at Photokina'80

The latest from steenbeck

The EMP (Envelope: Minimum Possible) 16 MM camera

The "new generation" GSMO 16 mm camera /
por: Di Giulio, Edmund

The new feathercam cm35 camera

The videola V-1000 Film-to-tape transfer system

The new Leonetti-Wilcam Ultracam-35 camera

Filming a Wedding Royalty /
por: Samuelson, David

ABC's wide world of sports uses new Kodak 7247 16 mm color negative for the first time /
por: Lightman, Herb A.

The new moviecam

The new Arriflex 16 HSR high-speed camera

The new CP-16R/A and CP-16R/A reflex TV newsfilm documentary camera system, plus unique PLC-4 magazine make joint debut

The new Technoflex camera

The new coke Super-16 Varo Kinetal zoom lens

SMPTE equipment exhibit Arriflex 16SR camera since Photokina 1972

GSMO camera soon to be available

The new magnasync/moviola 16 mm portable console editor

16 mm film production in United Kingdom independent Television

Angenieux introduces new lenses

Why shot in Super-16 /
por: Ericson, Rune

The technique of editing 16 mm. films
por: Burder, John
Publicado: (1971)

Perfectone continuous motion High-speed projector "Comitor 16 HS"

Two years experience with color negative film transmission

Filming under a rain of fire for "Days of destruction" /
por: Long, Asgeir

The filming of "Deep south, deep north" /
por: Hudson, David

EGO, EF and Color negative what's the difference /
por: Hampe, Barry

Filming the atomic graveyard /
por: Frehsee, Rick

P.A.G. modulor sound dubbing system

Filming wild life around the world /
por: Bayer, Wolfgang

Underwather photography for "Deadly fathoms" /
por: Mounier, Bruce

Arte y técnica del cine amateur
por: Boyer, Pierre
Publicado: (1952)

The under fire filming of "No go!" in Northern Ireland

How "No go!" was filmed /
por: Chase, Richard

Talking technically : Helicopter shooting /
por: Samuelson, David

Neilson Hordell Junior animation stand