The latest from steenbeck

P.A.G. modulor sound dubbing system

Cinema Workshop : lens equivalents /
por: Wilson, Anton

The technique of editing 16 mm. films
por: Burder, John
Publicado: (1971)

Shooting 16 mm for blow up to 35 mm film

The filming of "Angelo my love" /
por: Bogre, Michelle

How would a feature in Super-16 compare with one shot in 35 mm on a theater screen? /
por: Ypung, Irwing

New items of equipment from Steenbeck

Neilson Hordell Junior animation stand

Perfectone continuous motion High-speed projector "Comitor 16 HS"

The new Leonetti-Wilcam Ultracam-35 camera

The new Aaton 8-35 35 mm camera

The new moviecam

The new feathercam cm35 camera

Filming wild life around the world /
por: Bayer, Wolfgang

The new Technoflex camera

Filming a Wedding Royalty /
por: Samuelson, David

The new CP-16R/A and CP-16R/A reflex TV newsfilm documentary camera system, plus unique PLC-4 magazine make joint debut

GSMO camera soon to be available

The EMP (Envelope: Minimum Possible) 16 MM camera

The new Arriflex 16 HSR high-speed camera

Two years experience with color negative film transmission

SMPTE equipment exhibit Arriflex 16SR camera since Photokina 1972

The "new generation" GSMO 16 mm camera /
por: Di Giulio, Edmund

Angenieux introduces new lenses

The new coke Super-16 Varo Kinetal zoom lens

The filming of "Deep south, deep north" /
por: Hudson, David

Filming under a rain of fire for "Days of destruction" /
por: Long, Asgeir

Why shot in Super-16 /
por: Ericson, Rune

Filming the atomic graveyard /
por: Frehsee, Rick

Arte y técnica del cine amateur
por: Boyer, Pierre
Publicado: (1952)

The under fire filming of "No go!" in Northern Ireland

How "No go!" was filmed /
por: Chase, Richard

Underwather photography for "Deadly fathoms" /
por: Mounier, Bruce

ABC's wide world of sports uses new Kodak 7247 16 mm color negative for the first time /
por: Lightman, Herb A.

The Tyco S.A. 4 speakers/amplifier system

Atema 166 editing table