Nineteenth-century theories of art /
| Otros Autores: | , |
|---|---|
| Formato: | Libro |
| Lenguaje: | Ingl�s |
| Publicado: |
Berkeley ; Los Angeles ; London :
University of California Press,
c1987
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| Colección: | California studies in the history of art ;
24 |
| Materias: | |
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Tabla de Contenidos:
- I. Beauty and the language of form. Discourses on art (1771) / Joshua Reynolds
- The art of seeing in the fine arts of design according to the principles of Sulzer and Mengs (1781) / Francesco Milizia
- The jury of art (1793) / Jacques-Louis David
- Essay on picturesque beauty (1792) / William Gilpin
- A new method of assisting the invention in drawing original compositions of landscape (1785) / Alexander Cozens
- The dream of Orestes by Berthon (1817-1818) / Edmé-François Antoine Miel
- On the end of imitation in the fine arts (1823) / Quatremère de Quincy
- Commentaries on art / J. A. D. Ingres
- II. Art and the community of souls. Outpourings from the heart of an art-loving monk (1797) / Wilhelm Wackenroder
- A descriptive catalogue of pictures (1809) / William Blake
- Marginalia to Reynolds's Discourses (ca. 1808) / William Blake
- The beauties of Christianity (1802) / François René de Chateaubriand
- Diaries and letters (1811, 1814) / Friedrich Overbeck
- On Naïveté in the arts (1822) / Adolphe Thiers
- On the essential quality of Italian painting from its Renaissance to the period of its perfection (1834) / Tommaso Minardi
- The poetry of Christian art (1836) / A. F. Rio
- "The beards" of 1800 and "The beards" of today (1835) / Étienne-Jean Delécluze
- What is romanticism? (1846) / Charles Baudelaire
- Journals (1824-1847) / Eugène Delacroix
- III. Truth to nature and the nature of truth. Advice to a student on painting, particularly on landscape (1800) / Pierre-Henri de Valenciennes
- Letter to Daniel Runge (1802) / Philipp Otto Runge
- Nine letters on landscape painting (1831) / Carl G. Carus
- Essays (1836-1841) / Ralph Waldo Emerson
- Preface to the second edition of Modern painters (1844) / John Ruskin
- Letters and notes on painting (1802-1836) / John Constable
- Letters and reflections on painting / Camille Corot
- Articles from the Encyclopaedia Britannica (1816) / Benjamin Robert Haydon, William Hazlitt
- To Théodore Rousseau (1844) / Théophile Thoré
- Courbet: The burial at Ornans (1861) / Champfleury
- Selected writings (1858-1863) / Jean-François Millet
- Selected writings (1855-1870) / Gustave Courbet
- IV. Art and society. New tendencies in art (1857) / Théophile Thoré
- The philosophy of art (1865) / Hippolyte Taine
- Concerning the principle of art and its social purpose (1857) / Pierre-Joseph Proudhon
- The art of the people (1882) / William Morris
- V. An art of pure vision. Édouard Manet (1867) / Émile Zola
- Art at the moment (1866) / Émile Zola
- Telemaco Signorini (1884) / Adriano Cecioni
- Vincenzo Cabianca (ca. 1884) / Adriano Cecioni
- The Impressionists (1876) / Émile Blémont
- The exhibition of the Impressionists (1877) / Georges Rivière
- The principles of harmony and contrast of colours, and their applications to the arts (1839) / Michel-Eugène Chevreul
- The grammar of painting and engraving (1869) / Charles Blanc
- The Impressionists in 1886 / Félix Fénéon
- Neoimpressionism (1887) / Félix Fénéon
- VI. Art as creation. The fifth promotrice exhibition, letters IV and V (1868) / Vittorio Imbriani
- Mr. Whistler's "Ten O'Clock" (1885) / James McNeill Whistler
- On judging works of visual art (1876) / Conrad Fiedler
- The chromatic circle (1888) / Charles Henry
- Letter to Maurice Beaubourg (1890) / Georges Seurat
- Seurat (1891) / Gustave Kahn.